These hoops are 2" with a 4mm wide bottom. To find more sizes of the FLAT BOTTOM HOOPS, please use the following links:

1" Hoops https://www.etsy.com/shop/Atrio?section_id=27817863

1.50" Hoops with 4mm bottom https://www.etsy.com/shop/Atrio?section_id=11706741

1.50" Hoops with 6mm bottom https://www.etsy.com/shop/Atrio?section_id=7908305

1.75" Hoops with 7mm bottom https://www.etsy.com/shop/Atrio?section_id=26383395

2" Hoops with 4mm bottom https://www.etsy.com/shop/Atrio?section_id=26384153

WEAR A PIECE OF HISTORY!
QUESTION: Are your tiles real antique Portuguese Azulejo tiles?
ANSWER: Absolutely not. In our description of each item, we try to call attention to the theft and destruction of antique Portuguese tiles. Even the tiles found in flea markets and antique stores were most likely stolen off a building during the night. We have seen entire home facades disappear during the night to thieves. Thankfully, Portugal just passed a law declaring this theft a crime. We can only hope that it will one day be enforced.
For this reason, we have no part in this despicable crime. We make our own tiles from polymer clay. Ceramic would be far too heavy for earrings and impossible to mold into the shapes we want. For the hoops, we mold the clay as thin as we can get it, so that it will look pretty inside the hoops.

QUESTION: What kind of metal is it?
ANSWER: SOLID STAINLESS STEEL
If it is gold tone, it has a real gold wash. It is not gold plated. Stainless steel is hypoallergenic and nickel free.

Metric Conversion Table:
1 1/4" = 3.18cm
1 1/2" = 3.81cm
2" = 5cm


Established in 1290, Coimbra's University is one of the oldest in Europe.

The city lies on a hill with it's cobblestone streets and winding roads. In this wonderful city, the university students wear black capes and you can still find women washing their clothes in the river.

These tiles are found in the sacristy of the Old Cathedral in Coimbra. They date back to 1590. We had the privilege of a private tour of this room in 2022. The tiles on the left of the room are reproductions, but the tiles on the right are original. Here is the history of the church.

Coimbra (Aeminium, in Roman times) is an Episcopal seat since the 5th century, succeeding neighbouring Conímbriga. Despite its long history, there is no mention of a cathedral until the construction of the Santa Maria de Coimbra Cathedral, which began in 1164 by initiative of Bishop Miguel Salomão. It was consecrated in 1184, despite the rest of the building not yet being finished and in 1185 the second Portuguese king, D. Sancho I, was crowned there. It is the only Portuguese Romanesque cathedral from the time of the Reconquest, which survives relatively intact to this day.

The design of the building is attributed to Master Roberto, of French origin, who directed the construction of the Lisbon Cathedral at the same time and visited Coimbra sporadically. Management of the work was assigned to Master Bernardo, also French, later replaced by Master Soeiro, an architect who later worked on other churches in the diocese of Porto. The building comprises three naves, a slightly protruding transept, a lantern-tower above the cross, and a tripartite sanctuary. Its construction marks a break from the Romanesque cathedrals built until then in the country (Braga and Porto) and the beginning of a new typology called Cathedrals of the South (Coimbra, Lisbon and Évora).

The cloister started being erected in 1218, during the reign of D. Afonso II, being one of the first Gothic works built in Portugal. Larger than normal, it was necessary to destroy a part of the hillside for its construction. It occupies a quadrangular area from the third section of the nave and beyond the perimeter of the sanctuary. It is made up of a vaulted floor and the arcades comprise double pointed arches, set in fine twinned colonnades and with portholes above.

During works in the 16th century some innovations were introduced to the building, including Renaissance doorways, specifically a door known as the Porta Especiosa (Beautiful Door), which is the masterpiece of the architect João de Ruão and the sculptor Nicolau de Chanterenne, inspired by the Italian renaissance.

Inside, it is worth mentioning the Chapel of the Blessed Sacrament, also of João de Ruão, and the Chapel of St. Peter, attributed to Nicholas de Chanterenne. In the main chapel, the gilded altarpiece in flaming Gothic style is the work of Flemings Olivier de Gand and Jean d’Ypres. The chancels, decorated with floral and animalistic themes, are the richest iconographic example of Romanesque style in Portugal. The absence of human figures and biblical scenes is probably due to the fact that these were the work of Mozarabic artists who had settled in Coimbra.

There are several tombs of the Gothic period (13th- 14th centuries) in the side aisles, one of the most notable being that of D. Vataça (or Betaça) Lascaris, a Byzantine lady who arrived in Portugal at the beginning of the 14th century, accompanying D. Isabel de Aragon, who was to marry King Dinis.

These beautiful earrings are 2". They will come in a gift box. Very lightweight. Stainless Steel! Rose Gold



Wear a Piece of History!

Please feel free to email me with any questions you may have.

Thank you,
Atrio
🌺Please find our large selection of Portuguese FILIGREE at atriotiles.com
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The term Azulejo or Tile dates back to the time of Arab occupation of the Iberian Peninsula. The term "azulejo is derived from the Arab word (al zulej) which means a smooth and polished stone. It wasn't until the 16th century that the process was perfected into the tile we know today.
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+ Please note that some of our items will come with a tag stating "Return only accepted if tag is attached". There are no exceptions to this policy. 🌺ATTENTION: There is a 5% RESTOCKING fee per item PLUS a $3.50 fee for returned items.
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Although the tiles are water resistant, care should be taken to keep the tiles and metal out of water and away from lotions, including cosmetics, sunscreen, hairspray, etc. The chemicals in these products will dull the finish on the tiles.
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All my tiles are replicas made of polymer clay where the image actually becomes part of the clay through baking. No glue is used in the process. The pieces become waterproof and scratch resistant. Due to the handmade and hand shaped nature of each tile, slight variations will occur, as no two pieces are alike.
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Wear a Piece of History!